From: Slave Unit To: Aki Sasaki Subject: Your Go mix @ the DNA tonight!!! Date: August 6, 2009 Aki wrote:People seemed to dig it.
Transcript from the completely distorted clip Mike recorded on his iPod:
Mike: My iPod's recording right now. This is at the DNA right now, dude. At the show. They're playing your shit. Billy?: Fuckin' a. Go Aki! Mike: All right dude, I don't want to stand here looking like an idiot.
Speaking of, I wrote, recorded, and mixed down that entire remix in Reason 4... after chopping up the vocals in ReCycle. I have a shit ton of gear that's not being used right now. I'm going to give it some time to see, but I foresee some gear churn in the not too distant future. 'Cause there are new toys I want to play with.
Aki: Have you seen the APC 40? I haven't tried it, but that thing might let me play all the loops myself while I'm soloing. Aaron: (laughing) You really don't want to deal with anyone else, do you? Aki: ... No. No, I really don't.
 Still really proud of being part of this cd, especially this remix. This is a rare and precious thing.
Here is my drunken Certificate of Participation review, in tweets.
Yup, you read (or skimmed over) corrrectly; Mike only printed 200 of these puppies. Act now!
 oh... those timestamps are in Tehran's timezone. Oops.
[i: technical difficulties]
OH! So, Jason of We Got This Far told me he was having technical difficulties at the 16 volt show at the dnalounge, and he later found out that he was plugged into a lighting outlet. That they turn on and off. To control the lights.
This could possibly, maybe, potentially explain the technical difficulties I had at the second blacksnakemoan DNA show. Gah.
No, I mean it. Gah!
[ii: consumer whore, bass]
The graphite neck is what I'm most drawn to. (And the LEDs. Ooh, shiny!) I've got a couple dead spots on my neck that wouldn't be as big an issue if they weren't both D, including the low D that I use so much.
Then I put the green neon tape back on my BTB and strung it with Power Slinkys... between the thick strings, 35" scale, and my 50¢ piece picks it sounds and feels good. And the dead spots aren't as noticeable when things are cranking.
A fix for less than $30, as opposed to over $4k? Sounds like Slave Unit to me =)
[iii: certificate of participation]
Speaking of Slave Unit, the remix cd Certificate of Participation is out now! It'll be available on CDBaby and iTunes shortly, but until then contact your local Slave Unit member.
It's comprised entirely of remixes from The Battle for Last Place, featuring remixes by Bloodwire, SMP and Cyanotic. And me! I did the Go and Etched remixes. Sorry in advance.
I'm not sure if the below is the final cover, but I'm posting it anyway.
... There. Three posts in one. Maybe I'm warmed up enough to do a work-related one.
Shawn's remix kicked my ass.
I finished version 24 of Go this past weekend and submitted it; then Chris asked for my Etched remix as well. When I sent that I noticed the timestamp on it was from March, 2008. Oops. This is how projects take forever to finish.
We're throwing cover ideas around over email... it'll probably be something simple.
Mike's only planning on pressing a couple hundred physical copies. We'll see how that goes.