escapewindow: escape window (escape(window) typewriter)

It's that time again; this time it's the Oakland and surrounding cities East Bay Open Studios.

I got tired of judging the artists off a teeny tiny little thumbnail (or absence thereof), so I decided to click on every single artist and google if they didn't bother to post a jpeg or a link of some sort. Phew!

This is the list of artists I'm interested in checking out (definitely some more than others), sorted by city:

36/400+ artists; so much searching! )

Ok, I don't want to have to do that again anytime soon. =P ... Still, there are so many artists' studios I really need to see now, many of whom I would never have found without this labor intensive search.

I found my once-upon-a-time favorite artist on the web today... maybe I'll go check out her studio the next Napa/Sonoma Open Studios. Her paintings have all gotten very happy and bright, but there are still flashes of the old darker stuff I loved.

escapewindow: escape window (Default)

It's been a while since my last Open Studios adventure, so I went looking online for information.

SF is in October again. The East Bay, the first two weekends in June. Marin, last weekend and this weekend [!] ... And I didn't even know there was a Silicon Valley Open Studios (first 3 weekends in May; you'd think they'd try to organize these so they don't overlap).

Judging by the thumbnails on the websites, there are just way too many Marin and Silicon Valley artists' studios I want to see.


Chances are slim I'll catch 'em all, since I'll only have tomorrow afternoon to visit a bunch of places in the North and South Bay. Artists I've already missed seeing last weekend:

even more )

saturday

Oct. 22nd, 2006 02:42 am
escapewindow: escape window (Default)

[i: open studios] I went to Fort Mason today since a bunch of this weekend's artists' Open Studios were being held there.

This batch was mostly prints and photos; nothing quite as exciting as 1890 Bryant last time. Two of my favorite artists from this batch weren't even part of the Open Studios; they were part of an SFMOMA exhibit at Fort Mason. Susan Parker's style was more than a little bit mind boggling, and made me decide to try something in that vein at some point. It'll definitely turn out different than hers, and may spark something interesting. Glad I saw those.

I liked Lorrie Fink's paintings: lily ponds mostly. Peter A Doolin's abstract and comic-esque prints held my attention for quite a while. I quite liked Robert Jones' photos: his black and whites were really well done and his color skyscrapers were solarized or otherwise colored in a sort of otherworldly way.

One artist, whose name I didn't get, printed her digital photos on all sorts of different textured paper: watercolor paper, rice paper, etc. which gave them a more organic look. Quite nice.

I'm quite intrigued by The Nocturnes, which is an informal group of nighttime photographers. Some of their photos were amazing.

Still, I left feeling that I could have viewed all these photos and etchings and prints online without having lost very much. It's paintings and sculptures that tend to lose something when photographed. Ah well, there's still a bunch of other artists this weekend that I haven't seen yet, so I'm planning on driving around tomorrow to do just that.


[ii: speaking of night photography] It was unnaturally hot today in SF. So much so that when I got back from Fort Mason, I stayed in an hour or two til the sun had set before heading over to the East Bay for errands, packing up my rig for Tuesday's show, and a photo walk 'round Lake Merritt. I think the photos turned out better this time. (See: 10 months ago.)


fairyland
This one SO looks like a postcard to me.

larger, +9 )

soul food

Oct. 14th, 2006 11:23 pm
escapewindow: escape window (escape(window) typewriter)

sf open studios weekend 2

... missed the first weekend due to a case of clueless. But I'll be hitting the next two.

I walked around the city all afternoon, stopping by five or six open studios... two of them housed multiple artists, so I probably viewed more than twenty artists' work.

Marcia Teusink: I loved her Submerged pieces, especially the Wreck at Pomonte series. All blue and really gave the feeling of being underwater.

1890 Bryant was a treasure trove of amazing artwork. This one stop alone was worth the trouble of traipsing all over the city...

I loved Peggy Gyulai's work; her paintings speak to me in the way certain paintings do, that make them a pleasure to look at and contemplate for hours. One was a nearly doorway-sized piece of canvas with a waterfall cascading down it; I coveted it, but it was ever so slightly out of my price range. Her paintings are inspired by pieces of music, which is perhaps one reason why they seem alive.

Tessa Merrie's compositions are about natural objects, but to me they speak of separation and isolation in a way I like.

Upstairs from them, Wendy L Miller has a number of paintings, but the series that caught my eye were her books. She picks up old books solely for their title and cover, sews up the pages so no one can read them, then paints both covers in a way that suits the title.

... and there was plenty of other great art there too, some of it even affordable. I couldn't figure out if working there would be more inspiring or intimidating.

I happened to stop in Carole Moore's studio (saw the sign on my way elsewhere). She has beautiful koi paintings, including one huge koi spread out over six or seven canvases of different shapes and sizes. But my favorite was this one (I think) for the texture.

... Yes, I did notice that all my favorite artists today were female. And some of them were cute. (In fact, there were a lot of cute girls at the open studios. Hunh.) I don't think that tinged my opinion of the art, especially since I liked some of their art before I ever met them. ...But I figure it can't hurt their art sales.

Anyway, yesterday I was all jaded, pizza and xbox til late. Today I'm inspired, sushi and art...


Blowfish Sushi

I've never eaten here before, but it was a block away from 1890 Bryant, so I stopped in after the studios closed. Trendy? Yeah. But their ambience and presentation were as good or better than any other sushi joint I've been to.

sashimi dinner
they delivered my sashimi sampler on a bed of dry ice.
"here's a touch of vegas for you," said my waiter.

They charged for my tea and miso, I had some yummy not-so-alcoholic sake with my meal, and I went for the raspberry cabernet sorbet afterwards, so my dinner came to about twice what I normally spend on sushi. But their ambience: excellent. Tea: excellent. Sake selection: I'm not that up on sake, but it seemed really good. Miso: good, not the best I've had. Fish: I usually judge by the sake (salmon) and maguro, which were good but not amazing. But the other fish, which I usually like ok, was really delicious, so it all evened out. Wasabi was the mildest I've ever tasted.

The somewhat clueless couple next to me at the bar had the waiter choose their dishes for them, and he was bringing out some funky- (but tasty-) looking stuff. I know I'm going back, sooner rather than later... gotta try some of that.

Perfect sushi joint? Not sure they exist. But this one's certainly piqued my interest.

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